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Understanding Representation Jen Webb

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European Journal of Cultural Studies
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Visible victims and the politics of suffering in Omagh

Aileen Blaney

Chung-Ang University, blaneya{at}tcd.ie

This article situates a film based on the struggle of victims of the Omagh bombing in the broader context of a post-conflict society attempting to come to terms with a violent past. The film's circulation in a concrete historical and local context is examined in an effort to appreciate the cultural significance of the film's production at a crucial juncture in the lives of members of the Omagh community.

Key Words: docudrama • empathy • historical trauma • memory politics • recognition

European Journal of Cultural Studies, Vol. 12, No. 4, 415-429 (2009)
DOI: 10.1177/1367549409342510
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